Having developed the concept for our experimental film, Likeness, with a strong sense of the visuals in mind, the storyboarding was a fairly rapid process. I decided to keep the storyboards loose, focussing on communicating ideas visually more than choosing each specific shot.
While some of the images include frames to determine rough compositions, many of the sketches simply show the layout of objects and characters, and illustrate some initial thoughts about motifs and sequences. An important note is that some of the angles are not necessarily accurate, and are likely to be different in the final shoot.
You can see the results below; I'm not the best drawer in the world and the scanning quality is questionable, but the scans should give an overview:
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