My post-production workflow for New Bird is as follows:
Import/Capture
7D: H.264 > Compressor > ProRes 4:2:2 (HQ) > FCP Import
PD170: DVCAM > FCP Log and Capture
GoPro: MPEG4 > FCP Import
7D 50fps: H.264 > Compressor > ProRes 4:2:2 (HQ) > Cinema Tools > Conform to 25fps > FCP Import
Audio: (Poppy) Soundtrack Pro Import > Process > Export > (Me) FCP Import
Edit
1. Organise Bins
2. Construct Sync Assembly
3. Cut Intro in separate Sequence
4. Build up First Assembly
5. Trim down for Rough Cut
6. Sync Audio
7. Final Cut
Colour Grade
FCP's 3-way Colour Corrector
[NB: due to time constraints, Apple Color 1.5 will be impractical. Magic Bullet Looks will be difficult to gain access to frequently enough]
Export
1. DATA - Uncompressed Quicktime, HD 16:9, 48kHz 16 bit
2. PLAYABLE - DV PAL Quicktime, PAL 16:9, 48kHz 16 bit
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