Colour Grading

The rough cut so far doesn't contain any colour grading, so I've made use of Magic Bullet Looks for Final Cut Pro to complete this step. The results are looking much stronger and more cinematic; I have placed a cool colour temperature onto most of the footage along with a contrast increase. For the white void scene I have hidden some of the bleed-through of green screen by grading it in a very stylistic and saturated manner, and in the closing scene I have applied a blown-out aesthetic in order to elevate it above normality in a small way. Below is a brief sample of the grade.