Fortunately, we were able during our time in SIF to utilise their greenscreen; I was very pleased with the end result. The lighting provided at SIF allowed for a consistent exposure on the screen while the space available to us allowed separate lighting on the actors. The process was very efficient as the shots were easy to obtain, and the shoot fit in nicely with the sequence we were shooting against SIF's black walls.
The projection effect itself used a layer of super 8mm-style footage over the top of our 7D video; we then colour graded it to give a vintage film aesthetic. This was completed in Adobe AfterEffects, using mostly shots that didn't make it into the final cut of the other parts of our film.
The projection effect itself used a layer of super 8mm-style footage over the top of our 7D video; we then colour graded it to give a vintage film aesthetic. This was completed in Adobe AfterEffects, using mostly shots that didn't make it into the final cut of the other parts of our film.
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